Lin'an, the former capital of the Southern Song Dynasty
The 'Heavenly City' depicted by Marco Polo.

This used to be the eastern hub of the Maritime Silk Road, where thousands of national ships and boats anchored, weaving together a prosperous scroll of civilization meeting.

Lying on the Qiantang River and overlooking the Grand Canal, connecting four domains and accommodating ten thousand ships. "-" Dream Liang Record "

Seven hundred years later,

on this land where thousands of national boats once docked, there was a place of residence called "Wanli",

A meeting that was missed by time must eventually be continued.

The story begins with a traveler named Parnakes. The descendant of this Venetian merchant, from a young age, repeatedly read descriptions of the Oriental Heavenly City in their family's nautical log - porcelain with glaze colors as blue as the rain, and the Qiantang Tide Signal that shook the city.

Now, carrying the yellowed nautical chart and the longing passed down from generation to generation, he has finally arrived in Lin'an. However, he did not expect that what he had opened was not a static chapter in history, but a contemporary courtyard that awakened all the past glory.

Preface: Lin'an, Unfinished Covenant

Thousands of flowers and trees bloom in the east wind at night, and the stars fall like rain

Song Xin Qiji

It happened to be Shangyuan, the first ray of light in Lin'an City seven hundred years ago, as if it had never gone out. The Venetian traveler Parnacelles, who came along the Maritime Silk Road, finally stepped into this contemporary narrative called "Twelve Hours" at this moment.

▲ Entrance of Hangzhou Lin'an Qingshanhu Science and Technology City Marriott Hotel

Time flows like an axis here - the legend of Qian Wang shooting the tide is transformed into the aura of space, guarding the figure of the little lion lurking in the veins; And the traveler who came from afar, his footprints and gaze become the ink thread that pierces the dawn and dusk, quietly stitching history and the present together.

So, the flowing lines merge with the hour, and the light and shadow overlap to form a poetic line. Things and qualities, forms and colors, all whisper a story that spans mountains and seas.

【 Maoshi | Chubo · Lobby and Lobby Bar 】
The mist brushes against the makeup building, making it look pink and new. Thunder rushes along the post road, and the carriages run by. Clouds follow the immortals, and the stars chase after the stream

-Song Liu Zhu

The morning mist has not yet dissipated, but the light of the stars has quietly settled in space. The high dome of the lobby hangs with tiny dots of light, like the stars that have not yet set in the sky before dawn, or like the windproof lights hanging on the dock mast in the past - this is the modern translation of "stars" by Wanli.

▲ Front Desk Reception

The central area is like a condensed set of contemporary sculptures, whose form and material dialogue with the past scene of "goods accumulation". The collision of leather, metal, and fabric reveals exquisite vitality in a low-key manner.

Looking up, the floating lighting fixtures in the sky form an abstract star path with exquisite light points, no longer an ancient star chart, but a fashionable and lively contemporary light language belonging to Renaissance.

▲ Lobby

Turning around and stepping into the lobby, the sky shines through the grille, retelling the artistic conception of "Star Chasing Chases" in the language of light. Against the backdrop of fabric and warm wood, the sense of historical solemnity quietly blends with the brand's modern vitality.

▲ Lobby Bar

【 Morning Time | City Sound · Burning Restaurant 】

"The curtains hang down, the wind blows, and the city sound spreads far beyond the clouds"

The open kitchen is filled with steam, like the fireworks of a street restaurant continuing; Wooden display shelves are neatly arranged and fresh, symbolizing the prosperity of the Song Dynasty after breaking the market. The spatial color scheme is bright, embellished with indigo and ochre extracted from Song paintings, and the playful figures of children complement the abstract tangram patterns on the walls.

▲ Burning Restaurant

This is a contemporary footnote to the vitality of the morning in Lin'an, and also a "distant delivery of the city voice" that spans thousands of years, continuing to write vivid chapters in the context of contemporary design.

▲ Burning Restaurant

【 Midnight | Yayan · Wanlixuan Chinese Restaurant 】
The joy of feasting is not about silk or bamboo. Those who shoot, those who play, win, and the clinking of glasses

-Song Ouyang Xiu

▲ Wanlixuan Chinese Restaurant

In the Chinese restaurant, the elegance of literati gatherings is reinterpreted. The screen partition takes the shape of a guqin string, and the space vaguely flows with the rhythm of the "Listening to the Qin Picture".

▲ Chinese cuisine private room

Entering the chamber called "Dongpo Treasure Pavilion", the space is like an elegant vessel waiting for the kiln to transform - the color of the walls gradually transitions from the warm brown and yellow of the clay to the moon white when the porcelain body is first formed, and finally freezes in the light shadow of the "rain over the sky" when the glaze color is not yet solidified. The layering of colors is like the sublimation process of a delicacy from a delicacy to a delicacy. The hanging chandelier above depicts the graceful form of a Jiangnan paper umbrella with a delicate metal frame.

 

【 Xushi | Lantern Banquet · Banquet Hall 】
The lights of Qiantang for three to five nights, the bright moon like frost, shining on people like paintings

-Song Su Shi

Xu Shi was the climax of the Shangyuan Huazhang. In the banquet hall, lantern riddles are transformed into light and shadow art, and drumming and flower passing have evolved into rhythmic wall lamp shapes, full of festive fun.

The ceiling of the main banquet hall is adorned with thousands of lights pouring down like a galaxy, and the carpet patterns conceal copper coin patterns, echoing the ancient custom of giving gifts during festivals. There are no stacked classical symbols in the space, but instead, flowing light, scattered shadows, and modern lines are used to reconstruct the festive and ceremonial feeling of the "One Night Fish Dragon Dance", perfectly matching the required atmosphere of contemporary celebrations.

Suddenly I turn my back, she gleams in sparse and obscure lights.

▲ Banquet Hall

【 Hai Shi | Xin Yi · Health Center 】
"The pure moon shines brightly, the bright river shines together, and both the surface and the interior are clear. "

- Zhang Xiaoxiang, Song Dynasty

▲ Fitness and Health

The hustle and bustle gradually subsides, and the health and wellness area is surrounded by "mirror flowers, water, and moon" to create a peaceful atmosphere. The bottom of the swimming pool reflects flowing lights and curved ceilings, making it difficult to distinguish between reality and illusion. Here, redundant decorations are discarded, and pure forms, transparent materials, and quiet light and shadow are used to guide the body and mind into a completely soothing "clear" state.

【 Zishi | Homeward Journey · Guest Room Walkway 】

After sailing thousands of miles at night, I had many worries. Suddenly, when I saw the fishing light approaching, I realized it was an old trail

The corridor is deep, and the light and shadow gently sway with it. The wall is covered with the warm and glossy texture unique to Song Luo fabrics, and the latitude and longitude imply elegance. The bronze plaque by the door, like the elegant hanging signs of Song Dynasty shops, appears in a warm circle of light, waiting for every returning customer.

▲ Guest room corridor

【 Zishi | Guichu · Guest Room 】

At night, the wind is quiet and the patterns are flat. The small boat is gone, and the river and sea send the rest of its life

-Song Su Shi

Midnight is peaceful, and the guest room is the spiritual return of the traveler.

▲ Presidential Suite

▲ Standard Room

The space continues the elegant tone of sky blue, natural wood, and plain linen, with soft wave patterns on the headboard and abstract ink marks on the carpet, as if whispering about the past of the river and sea. A small lamp inspired by the window lights of Wanjia in Lin'an, casting a peaceful halo beside the pillow.

Huadeng Weiyang · Yiting Bar

After getting drunk, I don't know that the sky is in the water. A boat full of clear dreams overwhelms the Milky Way

-Yuan and Tang Wenru

Entering deeper into the dark corridor, pushing open an unmarked door, the noise suddenly subsided. It's the blank space that hides the famous' secret key.

▲ Yiting Bar

The ceiling is like a sail folded after returning from a long voyage, semi transparent and layered, with a hazy mist spreading through the light. The booth is like a birdcage under the eaves of the Song Dynasty, woven with thin metal wires to hold a corner of whispers and faint light. On the dark ground, faint lights scattered like raindrops falling into a calm pool, creating circles of elusive night ripples.

The bartender uses ancient formulas as inspiration, blending the clarity of Longjing and the thickness of Huangjiu into the cups. There is no noise here, only time settling in the aroma of wine. The stillness after the fireworks cool down, the richness when people disperse, are all here, waiting for a night returning person who understands it.

The Wanli Hotel in Lin'an Qingshanhu Science and Technology City weaves a sea silk legacy dream, a legendary traveler, and the millennium elegance of a city into the latitude and longitude of space, with "Twelve Hours" as the scroll and "Shangyuan Dream" as the ink color. It is not just about reproducing history, but also invites every traveler to anchor, explore, and immerse themselves here with Renaissance's unique, sharp, and fashionable contemporary style, ultimately writing their own line of unfinished dream poems.